Abstract
This article addresses the ephemeral nature of digital media, especially of artworks designed for the world wide web and other network devices. It traces debates over the nature of digital aesthetics, including discussions of software authoring, interaction and conviviality. It looks at low and high tech paths, suggesting that the fundamental dialectic in digital media lies between democratisation and expertise. It concludes with the suggestion that digital aesthetics are subject to change, because they are embedded in the broader social, political and economic histories, as well as the technological and regulatory environments, in which they evolve.
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Cubitt, S. (2009). Internet Aesthetics. In: Hunsinger, J., Klastrup, L., Allen, M. (eds) International Handbook of Internet Research. Springer, Dordrecht. https://doi.org/10.1007/978-1-4020-9789-8_9
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DOI: https://doi.org/10.1007/978-1-4020-9789-8_9
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