Abstract
The essay offers detailed reflections on the challenges of conducting research in hybrid spaces such as streets and museums. It examines the complexity of researching and visually documenting the transitory and hybrid qualities of urban zones through an analysis of two scenes, involving graffiti and street art in the space of the urban street and questions of visitor conduct, gallery space and museum design. The changing nature of public and private spaces, the complex status of the contemporary digital image, and a range of ethical imperatives in digital visual research are discussed in relation to the hybrid spaces of gallery and street.
This is a preview of subscription content, log in via an institution.
References
Edensor, T., and S. Sumartojo. 2015. Designing Atmospheres: Introduction to Special Issue. Visual Communication 14 (3): 251–265.
Halsey, M., and A. Young. 2002. The Meanings of Graffiti and Municipal Administration. Australian and New Zealand Journal of Criminology 35 (2): 165–186.
Halsey, M., and A. Young. 2006. Our Desires are Ungovernable: Writing Graffiti in Urban Space. Theoretical Criminology 10 (3): 275–306.
Hansen, S., and D. Flynn. 2015. Longitudinal Photo-Documentation: Recording Living Walls. Journal of Street Art and Urban Creativity 1 (1). Available at: http://www.urbancreativity.org/download1.html. Accessed 16 Mar 2017.
MacDowall, L. 2006. In Praise of 70 K: Cultural Heritage and Graffiti Style. Continuum: Journal of Media and Cultural Studies 20 (4): 471–484.
MacDowall, L. 2008. The Graffiti Archive and the Digital City. In Place: Location and Belonging in New Media Contexts, ed. D. Butt, J. Bywater, and N. Paul. Cambridge: Cambridge Scholars Press.
MacDowall, L. 2015. Graffiti, Street Art and Stigmergy. In The Uses of Art in Public Space, ed. J. Lossau, and Q. Stevens. London: Routledge.
MacDowall, L. 2016a. #Instafame: Aesthetics, Audiences, Data. In Graffiti and Street Art: Reading, Writing and Representing the City, ed. K. Avramidis, and M. Tsilimpounidi. London: Routledge.
MacDowall, L. 2016b. A Boneyard of Data: Graffiti and Street Art’s Temporalities. Journal of Street Art and Urban Creativity 2 (2). Available at http://www.urbancreativity.org/download.html. Accessed 15 Mar 2017.
McAuliffe, C. 2012. Graffiti or Street Art?: Negotiating the Moral Geographies of the Creative City. Journal of Urban Affairs 34 (2): 189–206.
Young, A. 2005. Judging the Image. London: Routledge.
Young, A. 2012. Criminal Images: The Affective Judgment of Graffiti and Street Art. Crime, Media, Culture 8 (3): 296–312.
Young, A. 2014. Street Art, Public City. London: Routledge.
Young, A. 2016. Street Art World. London: Reaktion Books.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2017 The Author(s)
About this chapter
Cite this chapter
Young, A., MacDowall, L. (2017). Visual Documentation in Hybrid Spaces: Ethics, Publics and Transition. In: Gómez Cruz, E., Sumartojo, S., Pink, S. (eds) Refiguring Techniques in Digital Visual Research. Digital Ethnography. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-61222-5_7
Download citation
DOI: https://doi.org/10.1007/978-3-319-61222-5_7
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-61221-8
Online ISBN: 978-3-319-61222-5
eBook Packages: Social SciencesSocial Sciences (R0)