Abstract
In English, many different melodies are possible on any given word or phrase. Even a monosyllabic word, such as Anne can be produced with many qualitatively different melodic patterns, as illustrated in Figure 1. This situation provides a contrast with languages such as Mandarin, in which the tonal pattern is an intrinsic part of the lexical representation. In English, the choice of the melody is not entailed by the choice of words, but rather functions independently to convey pragmatic information. Specifically, it conveys information about how the utterance is related to the discourse and to the mutual beliefs which interlocutors build up during the course of the discourse, as discussed in Ward and Hirschberg (1985) and Pierrehumbert and Hirschberg (1990).
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Pierrehumbert, J. (2000). Tonal Elements and Their Alignment. In: Horne, M. (eds) Prosody: Theory and Experiment. Text, Speech and Language Technology, vol 14. Springer, Dordrecht. https://doi.org/10.1007/978-94-015-9413-4_2
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DOI: https://doi.org/10.1007/978-94-015-9413-4_2
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