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Contributions to the theory of aerodynamic sound, with application to excess jet noise and the theory of the flute

Published online by Cambridge University Press:  29 March 2006

M. S. Howe
M. S. Howe
Affiliation:
Engineering Department, University of Cambridge
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Abstract

This paper describes a reformulation of the Lighthill (1952) theory of aerodynamic sound. A revised approach to the subject is necessary in order to unify the various ad hoc procedures which have been developed for dealing with aerodynamic noise problems since the original appearance of Lighthill's work. First, Powell's (1961 a) concept of vortex sound is difficult to justify convincingly on the basis of Lighthill's acoustic analogy, although it is consistent with model problems which have been treated by the method of matched asymptotic expansions. Second, Candel (1972), Marble (1973) and Morfey (1973) have demonstrated the importance of entropy inhomogeneities, which generate sound when accelerated in a mean flow pressure gradient. This is arguably a more significant source of acoustic radiation in hot subsonic jets than pure jet noise. Third, the analysis of Ffowcs Williams & Howe (1975) of model problems involving the convection of an entropy ‘slug’ in an engine nozzle indicates that the whole question of excess jet noise may be intimately related to the convection of flow inhomogeneities through mean flow pressure gradients. Such problems are difficult to formulate precisely in terms of Lighthill's theory because of the presence of an extensive, non-acoustic, non-uniform mean flow. The convected-entropy source mechanism is actually absent from the alternative Phillips (1960) formulation of the aerodynamic sound problem.

In this paper the form of the acoustic propagation operator is established for a non-uniform mean flow in the absence of vortical or entropy-gradient source terms. The natural thermodynamic variable for dealing with such problems is the stagnation enthalpy. This provides a basis for a new acoustic analogy, and it is deduced that the corresponding acoustic source terms are associated solely with regions of the flow where the vorticity vector and entropy-gradient vector are non-vanishing. The theory is illustrated by detailed applications to problems which, in the appropriate limit, justify Powell's theory of vortex sound, and to the important question of noise generation during the unsteady convection of flow inhomogeneities in ducts and past rigid bodies in free space. At low Mach numbers wave propagation is described by a convected wave equation, for which powerful analytical techniques, discussed in the appendix, are available and are exploited.

Fluctuating heat sources are examined: a model problem is considered and provides a positive comparison with an alternative analysis undertaken elsewhere. The difficult question of the scattering of a plane sound wave by a cylindrical vortex filament is also discussed, the effect of dissipation at the vortex core being taken into account.

Finally an approximate aerodynamic theory of the operation of musical instruments characterized by the flute is described. This involves an investigation of the properties of a vortex shedding mechanism which is coupled in a nonlinear manner to the acoustic oscillations within the instrument. The theory furnishes results which are consistent with the playing technique of the flautist and with simple acoustic measurements undertaken by the author.

Type
Research Article
Information
Journal of Fluid Mechanics , Volume 71 , Issue 4 , 28 October 1975 , pp. 625 - 673
Copyright
© 1975 Cambridge University Press

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