Hostname: page-component-76fb5796d-x4r87 Total loading time: 0 Render date: 2024-04-28T16:47:58.328Z Has data issue: false hasContentIssue false

Japanese Export Art of the Edo Period and its Influence on European Art

Published online by Cambridge University Press:  28 November 2008

Oliver Impey
Affiliation:
University of Oxford

Extract

The opening up of Japan to the west and the consequent influences of the west and of Japan upon each other are remarkable for many reasons, not least of which is the interchange of styles and techniques of the arts and crafts one to the other. The export of Japanese works of art, and the influence upon European artistic production during the Meiji period (though often of works produced during the Edo period) have all but obscured the remarkable effects Japanese export art had upon the west during the period of self-imposed semi-isolation. Of course Japan was also greatly influenced by western art; that is not the subject of this paper, but it is a subject of great interest, worthy of considerable attention.

Type
Articles
Copyright
Copyright © Cambridge University Press 1984

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 For a fuller discussion see Impey, Oliver, Chinoiserie: The Impact of Oriental Styles on Western Art and Decoration (Oxford University Press, 1977).Google Scholar

2 Impey, O., ‘Japanese Export Lacquer of the 17th century’, in Watson, W. (ed.), Lacquer Work in Asia and Beyond (Percival David Foundation Colloquy on Art and Archaeology in Asia No. 11, 1981)Google Scholar, and B. von Rague, ‘The maki-e tradition’ in the same colloquy.

3 Boyer, Martha, Japanese Export Lacquers from the 17th Century in the National Museum of Denmark (National Museum, Denmark, 1959).Google Scholar

4 Gyllensvärd, Bo, ‘Old Japanese lacquers and japanning in Sweden’ in Opuscula in Honorem C. Hernmarck (National Museum, Stockholm 1966).Google Scholar

5 Impey, ‘Japanese Export Laquer’.

6 Satow, Ernest M., The Voyage of Captain John Saris to Japan, 1613 (The Hakluyt Society, 1900).Google Scholar

7 Lach, Donald F., Asia in the Making of Europe, Vol. II, A Century of Wonder, Book One (Chicago, 1970).CrossRefGoogle Scholar

8 Huth, Hans, Lacquer of the West (Chicago, 1971).Google Scholar

9 Edwards, Ralph, ‘The “master” of the Saddler's ballot box’, Burlington, LXVIII (1936).Google Scholar

10 Boynton, L., ‘The Hardwick Inventory of 1601’, Furniture History, VII (1971).Google Scholar

11 I am grateful to Mr Robin Harcourt-Williams for this information.

12 See Scheurleer, Th. H. Lunsingh, ‘Aan besteding en Verspreiding van Japansch Lakwerk door de Nederlands in de Zevantiende Euwe’, Jaarsverslag van het Koninklyk Ondheidkundig Genootschap (Amsterdam, 1941).Google Scholar

13 Stalker, J. and Parker, G., A Treatise of Japanning and Varnishing (London, 1688).CrossRefGoogle Scholar

14 See Impey, Chinoiserie.

15 Quoted in Symonds, R. W., ‘Furniture from the Indies 11’, Connoisseur, XCIV (1934).Google Scholar It is not clear how many of these pieces were japanned.

16 Kircher, Athanasius, China Monumentis … Illustrata (Antwerp, 1667).Google Scholar

17 Quoted in Impey, Chinoiserie.

18 Toban Kamotsu Cho (reprint 1971).

19 Hornby, Joan, ‘Japan’, in Dam-Mikkelsen, B. and Lundbaek, T. (eds), Ethnographic Objects in the Royal Danish Kunstkammer 1650–1800 (Nationalmuseet, Copenhagen, 1980).Google Scholar

20 Jörg, Christian J. A., ‘Japanese Lacquerwork Decorated after European Prints’, in Collection of Essays in Commemoration of the 30th Anniversary of the Institute of Oriental and Occidental Studies, Kansai University (Osaka, 1981).Google Scholar

21 Spriggs, A. I., ‘Oriental Porcelain in Western Paintings, 1450–1700’, Transactions of the Oriental Ceramic Society, 36 (London, 1965).Google Scholar

22 Lightbown, R. W., ‘Oriental Art and the Orient in Late Renaissance and Baroque Italy’, Journal of the Warburg and Courtauld Institutes, XXXII (London, 1969).Google Scholar

23 Volker, T., Porcelain and the Dutch East India Company (Leiden, 1954).Google Scholar

24 My attention was drawn to these important documents by Dr Hiroko Nishida.

25 Catalogue of an exhibition of porcelain at Burghley House by Gordon Lang 1983 (no title page).

26 Oliver Impey, ‘Porcelain for the West: Early Japanese Enamelled Porcelain’, Connoisseur (July 1981).

27 O. R. Impey, ‘A Tentative Classification of the Arita Kilns’, in International Symposium on Japanese Ceramics (Seattle, 1972; publ. 1973).

28 Volker, T., The Japanese Porcelain Trade of the Dutch East India Company after 1683 (Leiden, 1959).Google Scholar

29 Toban Kamotsu Cho (reprint 1971).

30 See Lach, Asia in the Making of Europe.

31 O. R. Impey, Japan; Trade and Collecting in 17th Century Europe (in press).