^{page 95 note 1} Little, Wllm. A., ‘Brahms and the Organ–Redivivus’, in The Organist as Scholar: Essays in Memory of Russell Saunders (Stuyvesant, NY: Pendragon Press, 1994): 127–31.Google Scholar

^{page 96 note 2} This topic is worthy of further consideration, as it relates to Brahms's study of earlier composers and also to issues of instrumental balance in his own compositions. See, for example, Musgrave's, Michael ‘The Organ and Contra-Fagott in Brahms's Ein Deutsches Requiem: Performance Issues and a New Source Compared’, in Festschrift Otto Biba zum 60 Geburtstag, pp. 383–404, ed. Fuchs, Ingrid (Tutzing: Schneider, 2006)Google Scholar.

^{page 96 note 3} Gerstner, Matthias, ‘Das Orgelschaffen von Johannes Brahms: Studien zur Tradition in der Orgelmusik des 19. Jahrhunderts’ (PhD diss., Geisteswissenschaftlichen Fakultät der Universität Salzburg, 1997); andGoogle ScholarLandis, Eric, ‘Developing Variation in the Chorale Preludes for Organ, opus 122 by Johannes Brahms’ (DMA diss., University of Cincinnati, 2001)Google Scholar.