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Christopher H. Gibbs and Morten Solvik, eds, Franz Schubert and His World (Princeton: Princeton University Press, 2014). xvii + 364 pp. £52.00.

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Christopher H. Gibbs and Morten Solvik, eds, Franz Schubert and His World (Princeton: Princeton University Press, 2014). xvii + 364 pp. £52.00.

Published online by Cambridge University Press:  28 March 2016

Scott Messing
Scott Messing*
Affiliation:
Alma Collegemessing@alma.edu
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Book Reviews
Information
Nineteenth-Century Music Review , Volume 13 , Issue 1 , June 2016 , pp. 136 - 142
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© Cambridge University Press 2016 

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References

1 The English-language sources most often cited are Deutsch, Otto Erich, Schubert: A Documentary Biography, trans. Eric Blom (London: J.M. Dent, 1946)Google Scholar; and Deutsch, Otto Erich, Schubert: Memoirs by His Friends, trans. Rosamond Ley and John Nowell (New York: Macmillan, 1958)Google Scholar.

2 As examples, consider Clark, Suzannah, Analyzing Schubert (Cambridge: Cambridge University Press, 2011)CrossRefGoogle Scholar, Damschroder, David, Harmony in Schubert (Cambridge: Cambridge University Press, 2014)Google Scholar and Wollenberg, Susan, Schubert’s Fingerprints: Studies in the Instrumental Works (Farnham: Ashgate, 2011)Google Scholar.

3 Steblin, Rita, Die Unsinngesellschaft: Franz Schubert, Leopold Kupelwieser und ihr Freundeskreis (Vienna: Bohlau, 1998)Google Scholar.

4 Solvik, Morten, ‘Lieder im geselligen Spiel – Schuberts neu entdeckter Kosegarten-Zyklus von 1815’, Österreichische Musikzeitschrift 53, no. 1 (1997): 31–39 Google Scholar.

5 ‘Musikalische Litteratur’, Allgemeine musikalische Zeitung (Vienna) 7 (30 April 1823): 277.

6 The Collected Writings of Franz Liszt, ed. and trans. Janita R. Hall-Swadley, vol. 3, pt. 1 (Lanham, MD: Rowman & Littlefield, 2014), 135–46.

7 Deutsch, , Schubert: Memoirs by His Friends, 233 Google Scholar.

8 von Hellborn, Heinrich Kreissle, Franz Schubert (Vienna: Carl Gerold’s Sohn, 1865), 51 Google Scholar.

9 Gibbs traces its provenance to his participation in recreating Schubert’s 1828 concert, where the Trio received its public premiere, at the Schubertiade of the 92nd Street Y in New York. This author recalls Gibbs’s paper, ‘Schubert’s Crypt: Beethoven, “Far Fairer Hopes”, and Posterity’, read at the 1997 meeting of the American Musicological Society in Phoenix.

10 Schoenberg, Arnold, Style and Idea, trans. Leo Black, ed. Leonard Stein (Berkeley: University of California Press, 1975), 174 Google Scholar and 277.

11 Glossy, Carl, ‘Aus Bauernfelds Tagebüchern’, Jahrbuch der Grillparzer-Gesellschaft 6 (1896): 164 Google Scholar.

12 ‘Das Schubert-Denkmal im Stadtpark’, Die Presse, 10 May 1874; and ‘Communal-Zeitung’, Neue freie Presse, 20 May 1874.