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David Wyn Jones, Music in Vienna: 1700, 1800, 1900 (Woodbridge: The Boydell Press, 2016). x+277 pp. £25.00.

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David Wyn Jones, Music in Vienna: 1700, 1800, 1900 (Woodbridge: The Boydell Press, 2016). x+277 pp. £25.00.

Published online by Cambridge University Press:  05 December 2017

Janet K. Page
Janet K. Page*
Affiliation:
The University of Memphisjpage2@memphis.edu
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Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 16 , Issue 2 , August 2019 , pp. 273 - 276
Copyright
Copyright © Cambridge University Press, 2017 

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References

1 A most valuable recent study, which Jones does not cite, is the late Dunlop’s, Alison ‘Forgotten Musicians: Documenting Musical Life at the Viennese Imperial Court in the Eighteenth Century’, Musicologica Brunensia 47/1 (2012): 93–112 Google Scholar.

2 On this concept as related to music, see Weaver, Andrew, Sacred Music as Public Image for Holy Roman Emperor Ferdinand III: Representing the Counter-Reformation Monarch at the End of the Thirty Years’ War (Farnham: Ashgate, 2012)Google Scholar, esp. 7–9.

3 See Page, Janet K., Convent Music and Politics in Eighteenth-Century Vienna (Cambridge: Cambridge University Press, 2014): 142 CrossRefGoogle Scholar.

4 The Wienerisches Diarium began publication in 1703, and many years available online at ANNO: www.anno.onb.ac.at.

5 Steblin, Rita, Beethoven in the Diaries of Count Johann Nepomuk Chotek (Bonn: Verlag Beethoven-Haus, 2013)Google Scholar.

6 Leon Botstein, ‘Vienna: §5. 1806–1945’, in Grove Music Online, Oxford Music Online, www.oxfordmusiconline.com.