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Published online by Cambridge University Press: 25 October 2021
1 Sherman, Bernard and Musgrave, Michael, eds, Performing Brahms: Early Evidence of Performing Style (Cambridge: Cambridge University Press, 2003)Google Scholar; Da Costa, Neal Peres, Off the Record: Performing Practices in Romantic Piano Playing (New York: Oxford University Press, 2012)Google Scholar; Brown, Clive, Da Costa, Neal Peres, and Wadsworth, Kate Bennett, Brahms: Performance Practices in Johannes Brahms’ Chamber Music (Kassel: Bärenreiter, 2015)Google Scholar.
2 Tones of Romantic Extravagance, Ironwood, ABC Classics 481 4686 (2016), 2 discs.
3 A striking and convincing example of this technique may be heard in the B section of Brahms's Intermezzo in E-Flat Major, Op. 117, No. 1 as recorded by the Clara Schumann student Carl Friedberg (1872−1955). The Brahms/Schumann Tradition, Carl Friedberg, Marston Records (2003), 52015-2, 2 CDs.
4 See discussion in Brown, Peres Da Costa, and Wadsworth, Brahms: Performance Practices in Johannes Brahms’ Chamber Music, 5.
