Abstract
The late Paul Werth’s model of human discourse processing, Text World Theory (Werth 1994, 1995a, 1995b, and 1999), has been subject to some dramatic evolutionary changes over the last decade. Here I examine in particular the text-worlds created by the presence of modalized propositions in literary fiction and suggest a number of modifications to Werth’s (1999) handling of this area of discourse. I question Werth’s explanation of modality and use Simpson’s (1993) modal grammar of narrative fiction to formulate a refined text-world account of the conceptual structure of modalized propositions. As a consequence of this investigation, however, I also suggest that a text-world perspective on modality may have much to offer both to Simpson’s modal grammar and to our understanding of modality as a whole.
Walter de Gruyter GmbH & Co. KG
