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뉴질랜드 소년의 동화적 광기 그리고 영웅적 괴물 되기 - 데이비드 발렌타인의 반성장 소설 『뒤집힌 시드니 다리』

A New Zealand Boy with Fairy Tale Madness and His Becoming a Heroic Monster in David Ballantyne’s Sydney Bridge Upside Down

영미문학페미니즘
약어 : FSEL
2015 vol.23, no.2, pp.211 - 233
DOI : 10.15796/fsel.2015.23.2.008
발행기관 : 한국영미문학페미니즘학회
연구분야 : 영어와문학
Copyright © 한국영미문학페미니즘학회
인용한 논문 수 :   -  
180 회 열람

Even though critically acclaimed as one of New Zealand’s greatest writers, David Ballantyne, a literary figure with considerable skills and coherence of vision, has been disregarded until recently. Likewise, his coming-of-age story, Sydney Bridge Upside Down (1968), has been out of print for thirty years but is called one of the great New Zealand literary masterpieces. While introducing Ballantyne, who is unknown to Korean readers, this paper explores his novel, Sydney Bridge Upside Down, which, set in an abandoned slaughterhouse, describes the strange, unpredictable, and sinister story of a New Zealand boy on the edge of the world. It is narrated by the faux-innocent voice of the pre-adolescent boy, Harry, disguising a series of killings in both a remote country and a busy city in which killing, sexual temptation, and violence are overwhelmingly mingled. Its plot is mysterious, with dreamlike stream of consciousness, a general air of suspicion, and a dark sense of humor. By focusing on his fairy tale madness and untamed childhood fantasy related to women in a forbidden and dangerous place, this paper characterizes the extremely troubled young Harry with his burgeoning sexuality and jealousy as a heroic monster who tries to save “a beautiful short-sighted girl from being captured by a hairy monster,” referring to his Mum escaping the country and his cousin Catherine escaping the city.

David Ballantyne, Sydney Bridge Upside Down, Anti-Bildung discourse, slaughterhouse, becoming a heroic monster, maternal absence

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