The National Museum of Korea (NMK) is a site for teaching its visitors about the wonders of the Korean past through exhibition of exemplary art works. Through participant-observation in a Korean art history program organized by the NMK, museum visits, an interview with a senior curator, and an analysis of the NMK’s self-published book 100 Highlights of the National Museum of Korea, I interrogate the museum’s ideology in order to gain a better understanding of the messages about Koreanness communicated to the museum’s visitors. I am interested in the curatorial choices made by the museum that may ideologically condition spectators to associate Korean artistic excellence with Buddhism. I combine an analysis of language used in curation of Buddhist art on museum labels and displays, and within the NMK’s self-published book of 100 museum highlights, with a discussion that illustrates how the NMK creates new regimes of value in its presentation of Buddhist objects as national heritage.
KCI 등재
CREATING REGIMES OF VALUE THROUGH CURATION AT THE NATIONAL MUSEUM OF KOREA
Acta Koreana
약어 : -
2014 vol.17, no.2, pp.609 - 637
DOI : 10.18399/acta.2014.17.2.004
발행기관 : 계명대학교 한국학연구원
연구분야 : 기타인문학
Copyright © 계명대학교 한국학연구원
약어 : -
2014 vol.17, no.2, pp.609 - 637
DOI : 10.18399/acta.2014.17.2.004
발행기관 : 계명대학교 한국학연구원
연구분야 : 기타인문학
Copyright © 계명대학교 한국학연구원
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