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아폴로그룹의 시 공간에 나타난 아랍과 서구 모더니티 통섭 과정 연구 -주제와 형식의 신고전성과 낭만성을 중심으로

A Study on the Consilience between Arab and Western Modernity in the poems of Apollo Group

아랍어와 아랍문학
약어 : ALL
2012 vol.16, no.1, pp.117 - 141
DOI : 10.18630/kaall.2012.16.1.005
발행기관 : 한국아랍어아랍문학회
연구분야 : 기타동양어문학
Copyright © 한국아랍어아랍문학회
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131 회 열람

The poetic trend of Arab world in the beginning of 20th century could be called as the contest of strength between the Neoclassicism and Romanticism. Actually the romanticism started to be introduced to Arab world when the first romantic poetry was published by Khalil Mutran in the early 20th century. After that the mood of Romanticism was spread through the whole Arab world by Diwan Group of Egypt in 1920s and 30s. And then by Apollo Group which led the Arabic poetry in 1930s and 40s the Romanticism was firmly settled on Arab world. Meantime the Romanticism of Arab world appeared as the different aspects from the Classicism in its subject and form. In the subject the rate of the Occasional poetry that expressed the concern of people objectively was decreased, but the Emotional poetry that expressed the emotion of a person frankly was overwhelmingly increased. And in the form the rate of the classicial Qasidah was decreased, but the new forms like as the blank verse,the prose poem, the strophic verse and the dramatic poem were increased gradually. So the result of analyzing the four leading poets of the Apollo Group like Abu Shadi, Ibrahim Naji, Ali Mahmud Taha and Abu al-Qasim al-Shabbi has two important points. First, in the subject there are so many new emotional contents like love, nature, meditation and so on than the Occasional ones like praise, respect, condolence and so on. Second, in the form there are lots of Qasidah than the new formal experiments. So, it is difficult to mention that Apollo Group who played the leading role in the 1930s and 40s strongly settled the Romanticism in Arab world. Actually they were on the border which had crossed to the Romanticism from the Neoclassicism.

아폴로그룹, 아부 샤디,이브라힘 나지, 알리 마흐무드 따하, 아부 알까심 알샵비, 신고전주의,낭만주의, 경계, 전통, 모더니티, 수용, 갈등, 융합, 통섭
Apollo Group, Abu Shadi, Ibrahim Naji, Ali Mahmud Taha,Abu al-Qasim al-Shabbi, Neoclassicism, Romanticism, border, tradition,modernity, reception, conflict, blending, consilience