The Trinitarian Culture and Corporate Worship Practices of Canadian Pentecostals: A Contribution from the Theology of Colin Gunton

Abstract

This thesis represents a unique analysis of the trinitarian impulses of an important corporate worship practice among the Pentecostal Assemblies of Canada (PAOC), the largest Evangelical denomination in Canada. It considers whether an inconsistency exists between the PAOC’s trinitarian statement of faith and formative expressions of this denomination’s belief conveyed in 82 of the most commonly used contemporary worship songs from April 2007 to March 2013. Lyrical music, it is defended, represents a forming, measurable, and confirming indicator among the PAOC of contemporary religious understanding. In order to assess the trinitarian dispositions of the PAOC music lyrics, Colin Gunton’s theology is utilized as a framework for this evaluation. Gunton was a leading figure in the advancement of trinitarian theology before his untimely death in 2003. His balanced integration of the notions of relationality, particularity, and perichoresis provides the rationale for eight qualitative content analyses that are original to this project and intended to verify the trinitarian views in the PAOC lyrics. This analysis is oriented around three major areas of trinitarian assessment: the doctrine of God, human personhood, and cosmology. The data from these content analyses are compiled, presented, and carefully analysed. Then, returning to the trinitarian work of Gunton, implications and considerations for the PAOC are offered. This study shows that Gunton’s trinitarian theology provides a resource to identify and correct the trinitarian deficit and individualistic and cosmologically dualistic orientation of PAOC commonly used songs. Ultimately, this thesis proposes that Gunton, in accordance with several key Pentecostal and worship studies interlocutors, can serve as a helpful theological source for the dynamic practice of a trinitarian faith among the PAOC.