Theoria, Beograd 2022 Volume 65, Issue 2, Pages: 133-143
https://doi.org/10.2298/THEO2202133I
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Contemporary art, affective turn and emotions
Ilić Vlatko (Fakultet dramskih umetnosti, Univerzitet umetnosti, Beograd)
Due to the so-called Affective Turn, which is according to a number of
scholars shaping present cross-disciplinary studies of various phenomena,
art included, emotions are coming into focus of many different theoretical
orientations. Among the authors concerned with issues of emotions, Sara
Ahmed’s discourse on affective economies, and her understanding of emotions
as practices that produce surfaces and borders that allow the collective and
the individual to appear as objects proves to be particularly useful in the
analysis of immaterial artworks. In regard to the leading poetic principles
of contemporary art practices, starting from Bourriaud’s Relational
aesthetics and the insights offered by Sara Ahmed, we will look more closely
into emotions as key notions for understanding the aesthetics experience of
art today.
Keywords: aesthetic experience, emotions, affective turn, relational aesthetics, participatory art
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