AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Authors: ANTONIO IANNIELLO.
DOI: 10.24193/subbphil.2021.2s.08
Published Online: 2021-10-30
pp. 121-129
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Seeing, according to the enactive approach, is not something that happens inside our brain, rather it is something we do, but, as I will argue thanks to the performance art, it is something we do together. The performing arts, with their characteristics – autopoietic feedback loop, spectator/performer exchange, oscillation of the dichotomous subject-object pair - constitute a model through which to investigate the nature of our perception, which is constitutively relational, participative, and transformative.
Keywords: enactivism, performing arts, perception, enactive loneliness, transformation
