AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
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Authors: GABRIELA GLĂVAN.
DOI: 10.24193/subbphilo.2021.2.02
Published Online: 2021-06-30
Published Print: 2021-06-30
pp. 21-32
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Max Blecher’s Central European Affinities. Max Blecher’s connections with the Central European literary imaginary, which scholars have established through readings that place Blecher in the proximity of authors such as Bruno Schulz or Franz Kafka, could be revisited not only comparatively, but also by tackling some key issues in his work and biography that may confirm the writer’s belonging to this vast intellectual territory. Provincial spaces, marginality, uncertainties regarding identity, existential confusion, immaturity, the pervasiveness of objects and of the artificial, they all reveal a perspective upon literature that may function, in the absence of a geographical belonging, as a bridge and connection between worlds that mirror each other’s essence and difference.
Keywords: Central European literature, identity, the province, periphery, Jewishness
