이탈리아와 러시아 전위(Avant-Garde) 예술의상 디자인 연구 - 미래주의(Futurism)와 구성주의(Constructivism)를 중심으로 -

@article{ART001532662},
author={ 박윤정 },
title={이탈리아와 러시아 전위(Avant-Garde) 예술의상 디자인 연구 - 미래주의(Futurism)와 구성주의(Constructivism)를 중심으로 - },
journal={복식문화연구},
issn={1226-0401},
year={2011},
volume={19},
number={1},
pages={128-149},
doi={10.29049/rjcc.2011.19.1.128},
url={http://dx.doi.org/10.29049/rjcc.2011.19.1.128}

TY - JOUR
AU - 박윤정
TI - 이탈리아와 러시아 전위(Avant-Garde) 예술의상 디자인 연구 - 미래주의(Futurism)와 구성주의(Constructivism)를 중심으로 -
T2 - 복식문화연구
PY - 2011
VL - 19
IS - 1
PB - 복식문화학회
SP - 128-149
SN - 1226-0401
AB - This study dealing with the Italian futurist and Russian constructivist costume designs which aimed for new fashion design freed from the conventional meanings of fashion and explore the artistic purpose reflected within the designs expressed differently according to cultural and regional differences in order examine the early 20th century Avant-grade costume designs. The scope of this study is limited to the 1910s to the 1930s when the Italian futurism and the Russian constructivism were originated and were most active. This monograph focused on the works of the Italian futurists, Giacomo Balla who declared the ‘Manifesto delle moda minile futurista’, Fortunato Depero, and Thayaht who suggested a new direction for the futurist, and on the works of the Russian constructivists Alexander Rodchenko, Varvara Stepanova and Liubov Popova. As an one method of investigated, this paper is used materials of various sources to examine their features. Futurists costume designs expressed a radical conception of progress and their source of aesthetics was dynamism. The concept of 'power' which was the basis of the futurists was incorporated in the costumes while non-symmetrical cut-outs and bright and vivid colors completed the futurist costume designs. Moreover the Russian constructivists brought advances in the field of fabric and textile designs. What was particularly interesting about the Russian constructivist costumes was that the artists worked at the textile mills themselves, directly involved in the designs and manufacturing of fabric, developing an advancement in textile and a new understanding of costume. Furthermore, many Russian artists settled in Paris, actively participating in the fashion industry, and therefore, they have greatly contributed to the development of the early 20th century Avant-garde costume designs.
KW - 미래주의, 구성주의, 전위예술, 발라, 데페로, 로드첸코, 스테파노바, 포포바
DO - 10.29049/rjcc.2011.19.1.128
UR - http://dx.doi.org/10.29049/rjcc.2011.19.1.128
ER -

박윤정 (2011). 이탈리아와 러시아 전위(Avant-Garde) 예술의상 디자인 연구 - 미래주의(Futurism)와 구성주의(Constructivism)를 중심으로 - . 복식문화연구, 19( 1), 128- 149.

박윤정 . 2011, “이탈리아와 러시아 전위(Avant-Garde) 예술의상 디자인 연구 - 미래주의(Futurism)와 구성주의(Constructivism)를 중심으로 - ”, 복식문화연구, vol. 19, no. 1, pp. 128-149. Available from: doi:10.29049/rjcc.2011.19.1.128

박윤정 “이탈리아와 러시아 전위(Avant-Garde) 예술의상 디자인 연구 - 미래주의(Futurism)와 구성주의(Constructivism)를 중심으로 - ” 복식문화연구 19.1 pp. 128-149 (2011): 128.

박윤정 . 이탈리아와 러시아 전위(Avant-Garde) 예술의상 디자인 연구 - 미래주의(Futurism)와 구성주의(Constructivism)를 중심으로 - 복식문화연구 [Internet]. 2011; 19( 1), : 128-149. Available from: doi:10.29049/rjcc.2011.19.1.128

박윤정 . “이탈리아와 러시아 전위(Avant-Garde) 예술의상 디자인 연구 - 미래주의(Futurism)와 구성주의(Constructivism)를 중심으로 - ” 복식문화연구 19, no.1 (2011): 128-149. doi: 10.29049/rjcc.2011.19.1.128

홈 권호 목록 논문 목록 논문 상세

이탈리아와 러시아 전위(Avant-Garde) 예술의상 디자인 연구 - 미래주의(Futurism)와 구성주의(Constructivism)를 중심으로 -

복식문화연구

약어 : -

2011, vol.19, no.1, pp.128 - 149

DOI : 10.29049/rjcc.2011.19.1.128

발행기관 : 복식문화학회

연구분야 : 생활과학

박윤정¹

¹숙명여자대학교

인용한 논문 수 : 4 서지 간략 보기

초록

This study dealing with the Italian futurist and Russian constructivist costume designs which aimed for new fashion design freed from the conventional meanings of fashion and explore the artistic purpose reflected within the designs expressed differently according to cultural and regional differences in order examine the early 20th century Avant-grade costume designs. The scope of this study is limited to the 1910s to the 1930s when the Italian futurism and the Russian constructivism were originated and were most active. This monograph focused on the works of the Italian futurists, Giacomo Balla who declared the ‘Manifesto delle moda minile futurista’, Fortunato Depero, and Thayaht who suggested a new direction for the futurist, and on the works of the Russian constructivists Alexander Rodchenko, Varvara Stepanova and Liubov Popova. As an one method of investigated, this paper is used materials of various sources to examine their features. Futurists costume designs expressed a radical conception of progress and their source of aesthetics was dynamism. The concept of 'power' which was the basis of the futurists was incorporated in the costumes while non-symmetrical cut-outs and bright and vivid colors completed the futurist costume designs. Moreover the Russian constructivists brought advances in the field of fabric and textile designs. What was particularly interesting about the Russian constructivist costumes was that the artists worked at the textile mills themselves, directly involved in the designs and manufacturing of fabric, developing an advancement in textile and a new understanding of costume. Furthermore, many Russian artists settled in Paris, actively participating in the fashion industry, and therefore, they have greatly contributed to the development of the early 20th century Avant-garde costume designs.

키워드

미래주의, 구성주의, 전위예술, 발라, 데페로, 로드첸코, 스테파노바, 포포바

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