Interpreting Non-European Perceptions and Representations of Early Modern European Music

David R. M. Irving

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Irving, David R. M.. "Interpreting Non-European Perceptions and Representations of Early Modern European Music". The Historiography of Music in Global Perspective, edited by , Piscataway, NJ, USA: Gorgias Press, 2010, pp. 43-50. https://doi.org/10.31826/9781463222536-003

Irving, D. (2010). Interpreting Non-European Perceptions and Representations of Early Modern European Music. In (Ed.), The Historiography of Music in Global Perspective (pp. 43-50). Piscataway, NJ, USA: Gorgias Press. https://doi.org/10.31826/9781463222536-003

Irving, D. 2010. Interpreting Non-European Perceptions and Representations of Early Modern European Music. In: . ed. The Historiography of Music in Global Perspective. Piscataway, NJ, USA: Gorgias Press, pp. 43-50. https://doi.org/10.31826/9781463222536-003

Irving, David R. M.. "Interpreting Non-European Perceptions and Representations of Early Modern European Music" In The Historiography of Music in Global Perspective edited by , 43-50. Piscataway, NJ, USA: Gorgias Press, 2010. https://doi.org/10.31826/9781463222536-003

Irving D. Interpreting Non-European Perceptions and Representations of Early Modern European Music. In: (ed.) The Historiography of Music in Global Perspective. Piscataway, NJ, USA: Gorgias Press; 2010. p.43-50. https://doi.org/10.31826/9781463222536-003

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Interpreting Non-European Perceptions and Representations of Early Modern European Music

From the book The Historiography of Music in Global Perspective

Chapters in this book (11)