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Year 2018, Volume: 2 Issue: 2, 166 - 182, 29.12.2018
https://doi.org/10.33906/musicologist.493221

Abstract

References

  • Albright, Charlotte. (1976). “The Azerbaijani Aşıq and His Performance of a Dastan.” Iranian Studies 9. (4): 220-247.
  • Axundov, Əhliman; Təhmasib, Məhəmmədhüseyin, (2005). Azərbaycan Dastanları [Azerbaijani Dastans] Baku: Çıraq. [Original work published in 1965].
  • Atabaki, Touraj. (1997). Azarbayjan dar Iran-e Mo‘aser [Azerbaijan in Contemporary Iran]. Tehran: Tous Publishing House.
  • Atabaki, Touraj and Erik. J Zürcher. (2004). Men of Order: Authoritarian Modernization under Atatürk and Reza Shah, London and New York: I.B. Tauris.
  • Baghirova, Sanubar. (2011). Азербайджанская музыка и музыканты [Azerbaijani Music and Musicians]. Baku: Teknur.
  • Başgöz, İlhan. (1970). “Turkish Hikaye Telling Tradition in Azerbaijan, Iran” Journal of American Folklore 83. (330): 391-405.
  • Chadwik, Nora K. and Victor Zhirmunsky. (1969). Oral Epics of Central Asia. Cambridge: Cambridge University Press.
  • Cəfərzadə, Əzizə. (1974). Azərbaycanin Şair və Aşıq Qadınları [Azerbaijani Women Poets and Ashiqs]. Baku: Gənclik.
  • Eldarova, Emine. (1984). Искусство ашыгов Азербаийджана [The Art of the Azerbaijani Ashuq]. Baku: Ishiq.
  • Hambly, Gavin R. G. (2008a). “Agha Muhammad Khan and The Establishment of the Qajar Dynasty.” In The Cambridge History of Iran, Volume 7, From Nadir Shah to The Islamic Republic, Ed. Peter Avery, Gavin Hambly, and Charles Melville: pp. 104-143. Cambridge: Cambridge University Press.
  • Hambly, Gavin R. G. (2008b). “The Pahlavi Autocracy: Muhammad Riza Shah, 1941- 1979.” In The Cambridge History of Iran, Volume 7, From Nadir Shah to The Islamic Republic, Ed. Peter Avery, Gavin Hambly, and Charles Melville: pp. 244- 293. Cambridge: Cambridge University Press.
  • Heidari, Ali. (2011] "Location of Aras River Basin in Riparian Countries." Map. In “Aras Transboundary River Basin Cooperation Perspective.” Dams and Reservoirs Under Changing Challenges. [Paper presented at the International Symposium on Dams and Reservoirs Under Changing Challenges] Schleiss, Anton and Robert M. Boes (Eds.), (pp. 429-436). Retrieved from http://95.38.17.138/abfar-kj/file/Dams_and_Reservoirs_under_Changing.pdf
  • Huseynova, Aida. (2016). Music of Azerbaijan: From Mugham to Opera. Bloomington: Indiana University Press.
  • Keddie, Nikki and Mehradad Amanat. (2008). “Iran Under the Later Qajars, 1848- 1922.” In The Cambridge History of Iran, Volume 7, From Nadir Shah to The Islamic Republic, Ed. Peter Avery, Gavin Hambly, and Charles Melville: pp. 174-212. Cambridge: Cambridge University Press.
  • Köprülü, Mehmed Fuat. (2006). Early Mystics in Turkish Literature (Trans. Gary Leiser and Robert Dankoff). London and New York: Routledge. [Original work published 1918]
  • Naroditskaya, Inna. (2000). “Azerbaijanian Female Musicians: Women's Voices Defying and Defining the Culture” Ethnomusicology. 44 (2): 234-256.
  • Oldfield. Anna. (2018). “Memories Don’t Burn: Soviet Censorship and the Azerbaijani Ashiq Bard.” In Tyranny, Resistance and Music, Ed. Joseph Morgan and Gregory Reisch: pp. 141-159. MD: Lexington Books.
  • Oldfield, Anna. (2014). “Reimagining the Caucasus: Music and Community in the Azerbaijani Aşıq Tradition.” In The Globalization of Musics in Transit: Current Perspectives on Musical Migration and Tourism. Ed. Simone Krüger and Ruxandra Trandafoiu: pp. 230-50. New York: Routledge.
  • Oldfield, Anna. (2008). Azerbaijani Woman Poet-Minstrels: Women Aşıqs from the 18th Century to the Present. Lewiston: Mellen Press.
  • Qasımlı, Məhərrəm. (2003). Ozan Aşıq Sənəti [The Art of The Ashiq Ozan]. Baku: Uğur.
  • Sultanova, Razia. (2011). From Shamanism to Sufism: Women, Islam and Culture in Central Asia. London: I.B. Taurus.
  • Swietochowski, Tadeusz and Brian Collins. (1999). Historical Dictionary of Azerbaijan. Lanham, MD: Scarecrow Press.
  • Ustunyer, Ilyas. (2009). “Tradition of the Ashugh Poetry and Ashughs in Georgia.” IBSU Scientific Journal. 3 (1): 137-149. “Regions with Azerbaijani Speaking Populations.” (2013). Map. Wikimedia Commons. Retrieved from https://commons.wikimedia.org/wiki/File:AzerbaijaniSpeakingAreasMap.jpg

The Azeri Aşıq in Iran and the Republic of Azerbaijan: Towards a Transnational Comparison of a Diverging Tradition

Year 2018, Volume: 2 Issue: 2, 166 - 182, 29.12.2018
https://doi.org/10.33906/musicologist.493221

Abstract

The Azeri aşıq
tradition is a genre of musical storytelling that has circulated through the
Caucasus and Northern Iran for over 500 years. Aşıqs travelled between regions
to perform, and practitioners remained in contact for most of the genre’s
history. This contact was disrupted in the early 20th century, when
northern Azerbaijan was incorporated into the USSR. Divided between two
countries, the aşıqs of the Republic of Azerbaijan and Northern Iran have
developed along separate paths. This paper will compare contemporary aşıq
performances as observed in The Republic of Azerbaijan and Northern Iran,
focusing on historical factors, performance contexts, and gender. Finally, it
will consider how increased interaction between the two regions since the 1990s
may influence the future of the genre. This study is based on the fieldwork and
research of Anna Oldfield in the Republic of Azerbaijan and Behrang Nikaeen in
Iran.

References

  • Albright, Charlotte. (1976). “The Azerbaijani Aşıq and His Performance of a Dastan.” Iranian Studies 9. (4): 220-247.
  • Axundov, Əhliman; Təhmasib, Məhəmmədhüseyin, (2005). Azərbaycan Dastanları [Azerbaijani Dastans] Baku: Çıraq. [Original work published in 1965].
  • Atabaki, Touraj. (1997). Azarbayjan dar Iran-e Mo‘aser [Azerbaijan in Contemporary Iran]. Tehran: Tous Publishing House.
  • Atabaki, Touraj and Erik. J Zürcher. (2004). Men of Order: Authoritarian Modernization under Atatürk and Reza Shah, London and New York: I.B. Tauris.
  • Baghirova, Sanubar. (2011). Азербайджанская музыка и музыканты [Azerbaijani Music and Musicians]. Baku: Teknur.
  • Başgöz, İlhan. (1970). “Turkish Hikaye Telling Tradition in Azerbaijan, Iran” Journal of American Folklore 83. (330): 391-405.
  • Chadwik, Nora K. and Victor Zhirmunsky. (1969). Oral Epics of Central Asia. Cambridge: Cambridge University Press.
  • Cəfərzadə, Əzizə. (1974). Azərbaycanin Şair və Aşıq Qadınları [Azerbaijani Women Poets and Ashiqs]. Baku: Gənclik.
  • Eldarova, Emine. (1984). Искусство ашыгов Азербаийджана [The Art of the Azerbaijani Ashuq]. Baku: Ishiq.
  • Hambly, Gavin R. G. (2008a). “Agha Muhammad Khan and The Establishment of the Qajar Dynasty.” In The Cambridge History of Iran, Volume 7, From Nadir Shah to The Islamic Republic, Ed. Peter Avery, Gavin Hambly, and Charles Melville: pp. 104-143. Cambridge: Cambridge University Press.
  • Hambly, Gavin R. G. (2008b). “The Pahlavi Autocracy: Muhammad Riza Shah, 1941- 1979.” In The Cambridge History of Iran, Volume 7, From Nadir Shah to The Islamic Republic, Ed. Peter Avery, Gavin Hambly, and Charles Melville: pp. 244- 293. Cambridge: Cambridge University Press.
  • Heidari, Ali. (2011] "Location of Aras River Basin in Riparian Countries." Map. In “Aras Transboundary River Basin Cooperation Perspective.” Dams and Reservoirs Under Changing Challenges. [Paper presented at the International Symposium on Dams and Reservoirs Under Changing Challenges] Schleiss, Anton and Robert M. Boes (Eds.), (pp. 429-436). Retrieved from http://95.38.17.138/abfar-kj/file/Dams_and_Reservoirs_under_Changing.pdf
  • Huseynova, Aida. (2016). Music of Azerbaijan: From Mugham to Opera. Bloomington: Indiana University Press.
  • Keddie, Nikki and Mehradad Amanat. (2008). “Iran Under the Later Qajars, 1848- 1922.” In The Cambridge History of Iran, Volume 7, From Nadir Shah to The Islamic Republic, Ed. Peter Avery, Gavin Hambly, and Charles Melville: pp. 174-212. Cambridge: Cambridge University Press.
  • Köprülü, Mehmed Fuat. (2006). Early Mystics in Turkish Literature (Trans. Gary Leiser and Robert Dankoff). London and New York: Routledge. [Original work published 1918]
  • Naroditskaya, Inna. (2000). “Azerbaijanian Female Musicians: Women's Voices Defying and Defining the Culture” Ethnomusicology. 44 (2): 234-256.
  • Oldfield. Anna. (2018). “Memories Don’t Burn: Soviet Censorship and the Azerbaijani Ashiq Bard.” In Tyranny, Resistance and Music, Ed. Joseph Morgan and Gregory Reisch: pp. 141-159. MD: Lexington Books.
  • Oldfield, Anna. (2014). “Reimagining the Caucasus: Music and Community in the Azerbaijani Aşıq Tradition.” In The Globalization of Musics in Transit: Current Perspectives on Musical Migration and Tourism. Ed. Simone Krüger and Ruxandra Trandafoiu: pp. 230-50. New York: Routledge.
  • Oldfield, Anna. (2008). Azerbaijani Woman Poet-Minstrels: Women Aşıqs from the 18th Century to the Present. Lewiston: Mellen Press.
  • Qasımlı, Məhərrəm. (2003). Ozan Aşıq Sənəti [The Art of The Ashiq Ozan]. Baku: Uğur.
  • Sultanova, Razia. (2011). From Shamanism to Sufism: Women, Islam and Culture in Central Asia. London: I.B. Taurus.
  • Swietochowski, Tadeusz and Brian Collins. (1999). Historical Dictionary of Azerbaijan. Lanham, MD: Scarecrow Press.
  • Ustunyer, Ilyas. (2009). “Tradition of the Ashugh Poetry and Ashughs in Georgia.” IBSU Scientific Journal. 3 (1): 137-149. “Regions with Azerbaijani Speaking Populations.” (2013). Map. Wikimedia Commons. Retrieved from https://commons.wikimedia.org/wiki/File:AzerbaijaniSpeakingAreasMap.jpg
There are 23 citations in total.

Details

Primary Language English
Journal Section Articles
Authors

Anna Oldfıeld

Behrang Nıkaeen This is me

Publication Date December 29, 2018
Published in Issue Year 2018 Volume: 2 Issue: 2

Cite

APA Oldfıeld, A., & Nıkaeen, B. (2018). The Azeri Aşıq in Iran and the Republic of Azerbaijan: Towards a Transnational Comparison of a Diverging Tradition. Musicologist, 2(2), 166-182. https://doi.org/10.33906/musicologist.493221