마이클 온다체의 『잉글리시 페이션트』에 나타난 탈영토화와 노마드적 상상력

@article{ART002123309},
author={ 박종성 },
title={마이클 온다체의 『잉글리시 페이션트』에 나타난 탈영토화와 노마드적 상상력},
journal={영어영문학21},
issn={1738-4052},
year={2016},
volume={29},
number={2},
pages={91-112},
doi={10.35771/engdoi.2016.29.2.005},
url={http://dx.doi.org/10.35771/engdoi.2016.29.2.005}

TY - JOUR
AU - 박종성
TI - 마이클 온다체의 『잉글리시 페이션트』에 나타난 탈영토화와 노마드적 상상력
T2 - 영어영문학21
PY - 2016
VL - 29
IS - 2
PB - 21세기영어영문학회
SP - 91-112
SN - 1738-4052
AB - This paper aims to look afresh at Michael Ondaatje’s The English Patient (1992) and reassess the novel from a Deleuzian perspective. I argue that the book is a kind of counter discourse against nationalism, Eurocentrism, racism, and war. Particularly, such Deleuzian terms as deterritorialization and nomadism are quite relevant and valid to my discussion. The English Patient, a Hungarian count whose real name is Ladislau de Almásy, is a nationless nomad who wants to “erase [his] name and the place [he] had come from.” This is a clear indication that he metaphorically wages a war against the State apparatus. Namely, to borrow a Deleuzian term, the war machine is working effectively. To substantiate my points, I borrow such key terms from Gilles Deleuze and Félix Guattari as nomadism, deterritorialization, the State apparatus, the war machine, capture, the line of flight, and affect and apply them to analyzing the text under consideration. My main argument is that The English Patient falls into what Deleuze calls a ‘minor’ literature which questions and challenges the supremacy of Western powers. Another strand of argument is that the various acts of betrayal are ethical in that the private will exercised by such individuals as Kip, Hana, Madox, and the English patient actually confronts the public will, which not only legitimizes nationalism but also contains or captures the private will. Also, the so-called war machine, or machine désirante, is appropriated or captured by the State apparatus. Ondaatje emerges as a formidable writer who strongly denounces any form of ownership and creates a ‘minor’ literature which is bound to be deterritorialized and political.
KW - Gill Deleuze, Michael Ondaatje, The English Patient, the State apparatus, the war machine, nomadism, territorialization, deterritorialization, capture, the line of flight
DO - 10.35771/engdoi.2016.29.2.005
UR - http://dx.doi.org/10.35771/engdoi.2016.29.2.005
ER -

박종성 (2016). 마이클 온다체의 『잉글리시 페이션트』에 나타난 탈영토화와 노마드적 상상력. 영어영문학21, 29( 2), 91- 112.

박종성 . 2016, “마이클 온다체의 『잉글리시 페이션트』에 나타난 탈영토화와 노마드적 상상력”, 영어영문학21, vol. 29, no. 2, pp. 91-112. Available from: doi:10.35771/engdoi.2016.29.2.005

박종성 “마이클 온다체의 『잉글리시 페이션트』에 나타난 탈영토화와 노마드적 상상력” 영어영문학21 29.2 pp. 91-112 (2016): 91.

박종성 . 마이클 온다체의 『잉글리시 페이션트』에 나타난 탈영토화와 노마드적 상상력 영어영문학21 [Internet]. 2016; 29( 2), : 91-112. Available from: doi:10.35771/engdoi.2016.29.2.005

박종성 . “마이클 온다체의 『잉글리시 페이션트』에 나타난 탈영토화와 노마드적 상상력” 영어영문학21 29, no.2 (2016): 91-112. doi: 10.35771/engdoi.2016.29.2.005

홈 권호 목록 논문 목록 논문 상세

마이클 온다체의 『잉글리시 페이션트』에 나타난 탈영토화와 노마드적 상상력

영어영문학21

약어 : 영어영문학21

2016, vol.29, no.2, pp.91 - 112

DOI : 10.35771/engdoi.2016.29.2.005

발행기관 : 21세기영어영문학회

연구분야 : 영어와문학

박종성¹

¹충남대학교

인용한 논문 수 : 2 서지 간략 보기

초록

This paper aims to look afresh at Michael Ondaatje’s The English Patient (1992) and reassess the novel from a Deleuzian perspective. I argue that the book is a kind of counter discourse against nationalism, Eurocentrism, racism, and war. Particularly, such Deleuzian terms as deterritorialization and nomadism are quite relevant and valid to my discussion. The English Patient, a Hungarian count whose real name is Ladislau de Almásy, is a nationless nomad who wants to “erase [his] name and the place [he] had come from.” This is a clear indication that he metaphorically wages a war against the State apparatus. Namely, to borrow a Deleuzian term, the war machine is working effectively. To substantiate my points, I borrow such key terms from Gilles Deleuze and Félix Guattari as nomadism, deterritorialization, the State apparatus, the war machine, capture, the line of flight, and affect and apply them to analyzing the text under consideration. My main argument is that The English Patient falls into what Deleuze calls a ‘minor’ literature which questions and challenges the supremacy of Western powers. Another strand of argument is that the various acts of betrayal are ethical in that the private will exercised by such individuals as Kip, Hana, Madox, and the English patient actually confronts the public will, which not only legitimizes nationalism but also contains or captures the private will. Also, the so-called war machine, or machine désirante, is appropriated or captured by the State apparatus. Ondaatje emerges as a formidable writer who strongly denounces any form of ownership and creates a ‘minor’ literature which is bound to be deterritorialized and political.

키워드

Gill Deleuze, Michael Ondaatje, The English Patient, the State apparatus, the war machine, nomadism, territorialization, deterritorialization, capture, the line of flight

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