ABSTRACT

Popular music is a growing presence in education, formal and otherwise, from primary school to postgraduate study. Programmes, courses and modules in popular music studies, popular music performance, songwriting and areas of music technology are becoming commonplace across higher education. Additionally, specialist pop/rock/jazz graded exam syllabi, such as RockSchool and Trinity Rock and Pop, have emerged in recent years, meaning that it is now possible for school leavers in some countries to meet university entry requirements having studied only popular music. In the context of teacher education, classroom teachers and music-specialists alike are becoming increasingly empowered to introduce popular music into their classrooms. At present, research in Popular Music Education lies at the fringes of the fields of music education, ethnomusicology, community music, cultural studies and popular music studies. The Routledge Research Companion to Popular Music Education is the first book-length publication that brings together a diverse range of scholarship in this emerging field. Perspectives include the historical, sociological, pedagogical, musicological, axiological, reflexive, critical, philosophical and ideological.

part I|30 pages

Introduction

chapter 1|2 pages

Foreword

chapter 3|17 pages

Popular music education

A step into the light

part II|120 pages

Past, present and future

chapter 5|14 pages

Navigating the space between spaces

Curricular change in music teacher education in the United States

chapter 6|14 pages

Developing learning through producing

Secondary school students’ experiences of a technologically aided pedagogical intervention

chapter 7|13 pages

A historical review of the social dynamics of school music education in Mainland China

A study of the political power of popular songs

chapter 8|13 pages

Towards 21st-century music teaching-learning

Reflections on student-centric pedagogic practices involving popular music in Singapore

chapter 9|14 pages

Popular music education in Hong Kong

A case study of the Baron School of Music

chapter 12|12 pages

Parallel, series and integrated

Models of tertiary popular music education

part III|104 pages

Curricula in popular music

chapter 13|13 pages

Do the stars know why they shine?

An argument for including cultural theory in popular music programmes

chapter 14|11 pages

‘I’ve heard there was a secret chord’

Do we need to teach music notation in UK popular music studies?

chapter 15|13 pages

‘Art’ to artistry

A contemporary approach to vocal pedagogy

chapter 16|13 pages

Defeating the muse

Advanced songwriting pedagogy and creative block

chapter 17|14 pages

Missing a beat*

Exploring experiences, perceptions and reflections of popular electronic musicians in UK higher education institutions

chapter 18|14 pages

Artists to teachers – teachers to artists

Providing a space for aesthetic experience at secondary schools through popular music

chapter 19|12 pages

Musical listening

Teaching studio production in an academic institution

part IV|100 pages

Careers, entrepreneurship and marketing

chapter 21|15 pages

Professional songwriting

Creativity, the creative process and tensions between higher education songwriting and industry practice in the UK

chapter 22|13 pages

Popular music pedagogy

Dual perspectives on DIY musicianship

chapter 25|15 pages

University music education in Colombia

The multidimensionality of teaching and training

chapter 26|13 pages

Popular music entrepreneurship in higher education

Facilitating group creativity and spin-off formation through internship programmes

chapter 27|14 pages

Teaching music industry in challenging times

Addressing the neoliberal employability agenda in higher education at a time of music-industrial turbulence

part V|124 pages

Social and critical issues

chapter 29|13 pages

A place in the band

Negotiating barriers to inclusion in a rock band setting

chapter 30|13 pages

Teaching the devil’s music

Some intersections of popular music, education and morality in a faith-school setting

chapter 31|17 pages

Social justice and popular music education

Building a generation of artists impacting social change

chapter 32|13 pages

Popular music and (r)evolution of the classroom space

Occupy Wall Street in the music school

chapter 34|13 pages

Feral Pop

The participatory power of improvised popular music